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Details & Description
Title: The Broadside of a Barn Size: 12″ w x 9″ h Canvas Type: Canvas Board Frame: Unframed Signed: On the front COA: Signed Certificate of Authenticity A Teresa Bernard Oil Painting
A sunset painting of an old, weathered barn with a bright yellow moon overhead. This composition is full of intriguing contrasts.
This oil painting portrays a tightly cropped view of the broadside of an old rural barn, with its planks showing signs of aging and weathering. A bright yellow Harvest Moon shines overhead. Hand-painted and signed in the lower right-hand corner by oil painting artist Teresa Bernard.
The painting presents a close-up perspective of an old countryside barn’s side, with its planks showing signs of aging and weathering. Above it, a vivid yellow Harvest Moon casts its glow. It is hand-painted and bears the signature of oil painting artist Teresa Bernard in the bottom right corner.
The Broadside of a Barn is created by hand with an art brush on a high-quality canvas board and must be framed prior to display. An official Certificate of Authenticity (COA) is included with purchase of this painting.
The original canvas paintings do not display the copyright watermark “©️ teresabernardart.com”.
Artist Comments
I’m a sucker for old country barns. They have a certain charm that appeals to me, especially when they’re old and weathered. And when the composition allows, I love to include them in my landscape paintings.
The Broadside of a Barn is a country landscape painting. To create an interesting effect, I painted this composition with a tight crop. The crop gives the impression that the painting is cut in half diagonally from corner to corner, creating two contrasting triangles. The upper triangle features organic shapes, whereas the lower triangle consists of geometric, manmade forms.
This painting appeals to me because of the many contrasts present within its composition. For example, near vs. far, organic vs. manufactured, curved vs. straight, round vs. square, dark vs. light, etc. Can you find other contrasts?
—Teresa Bernard
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