Teresa Bernard is a native Texan, born and raised in west Texas. She began painting at an early age under the instruction of her father Royce G. Phillips, a professional artist. Her dad, now deceased, painted oil paintings and also taught art classes in their hometown and the surrounding communities. He taught Teresa the love of fine art by teaching her how to draw and paint. There aren’t many artists who come from a succession of artists in their family and Teresa is one among those with this particular distinction. After graduating high school, Teresa headed off to California where she continued her studies of the fine arts and also graphic design.
Teresa’s professional career, which spans over two decades, has been working as a graphic artist and web designer. After retirement she plans to devote most of her time painting and promoting her artwork.
Teresa loves many art styles, but realism is her favorite. She enjoys painting landscapes, seascapes, still life, florals, spaceart and wildlife, as well as portraits. Teresa doesn’t specialize in one particular genre as she loves the challenge of painting whatever inspires her at the time. Through the years she has created a name for herself as an accomplished painter. Her paintings have won various awards in juried art show and, thanks to the Internet, have sold all across the U.S. and around the world.
In her life, Teresa has lived many places and each location has had a huge influence on her work. For instance, while living on the west coast, Teresa painted many coastal scenes and marine life. On the east coast she loved painting lighthouses. Now that she is back in her home state, she paints life as it is there.
Currently Teresa lives with her husband Robert on their horse ranch in a small east Texas community near Tyler.
A few years ago I had the privilege of being interviewed by an art student who was attending college in California. His assignment was to pick an artist, interview that person and write a paper about the interview. His questions were intelligent and well thought out. I thoroughly enjoyed my experience answering Eric’s questions and was delighted to read his paper.
Artist Interview: Teresa Bernard
By Eric Pott – May 8, 2007
For my artist interview project, I was fortunate in my Internet search to find the website of Teresa Bernard, a Texas painter. Teresa is an accomplished artist with a wide variety of skills and experience; she has an interesting background and has had the opportunity to express her creative abilities within her career as well as for her personal enjoyment. Teresa is primarily an oil painter; she showcases and sells her art on her web page while at the same time pursuing web design professionally. After seeing her paintings, I decided to contact Teresa, and was delighted when she e-mailed me back to say that she would be honored to be the subject of my interview.
I was initially drawn to Teresa’s website, which I found while browsing the “Yahoo!” artist directory by category; I was interested in talking with a painter, and I found that she painted with a number of different types of subject matter, including religious paintings. I noticed that her website contained a great deal of information already, and I guessed that there was a great deal of interesting thought that she could elaborate on in terms of some of her early influences and her knowledge of art within the context of her career. I also wanted to learn her opinions of the art world and of its business aspects. I contacted her via e-mail in late April, and we communicated for about a week or so during which I submitted to her my interview questions about her art, background, career, and her opinions of the art world in general.
Teresa was very fortunate to have learned many artistic elements and principles early in life. Her father was an art teacher, who studied under the instruction of a successive line of artists; he taught classes in her town, as well as in some of the surrounding communities. In our interview she placed a tremendous amount of emphasis on the artistic fundamentals and principles of design that he taught her: “….shading, lighting, composing, design, proportion, perspective, balance….all the elements that go into good composition.” Mrs. Bernard had attended college here in California, and she described in the interview that she had not originally intended to become an art student, but instead initially studied Bible and communications courses. She attended Ambassador College (which she later mentioned was right across the street from the Norton Simon Museum) in Pasadena, until it lost its funding; she then transferred to Pasadena Community College. There she began significant studies in the school’s substantial fine arts program, where she was required (among other things) to compose and paint artworks using styles from each major period of thought. “It was during [these] classes,” she said, “that I gained my appreciation of various art techniques and styles.”
I was interested in how she applied her artistic style in her career, and she described some of her experience as a graphic designer. She found much of her work on newspaper layouts, advertisement designs, and art design for a collector car magazine to be very rewarding. “I was doing what I love to do,” she said, especially with “complex pieces,” but she did not recommend a career in graphic design unless one was very determined. Easy access to desktop software and other tools have reduced the demand for graphic artists, she explained, and it is difficult to earn a very good salary in such a field – which was one reason why she was prompted to move into the area of web design. Designing web pages is a task that suits her personal style as a realist; she feels that often web pages are, in substance, a form of advertisement or brochure meant to advertise a product that requires a very direct approach to the viewer. “Realism in art conveys the message in a straightforward manner,” she expressed, “What better way is there than to use realism in designing a web site?”
This realistic approach is evident in many of her paintings. “I paint what I see in a realistic way,” is how she illustrates her personal style. Covered Bridge in Lane County, Oregon, one of her landscape paintings, is an excellent example of this. Colorful fall hues, deep shadows and well-composed single-point perspective provide depth and space to this painting, which conveys a simple and rustic virtue that is implied in the aged white bridge and natural surroundings. Strong command of perspective is important in many of her paintings; to her, this technique is largely what gives a subject depth. “Without good perspective, the entire painting can be thrown off and proportions are wrong,” she notes. She uses layered paint and careful application of color with a dry brush to achieve a sense of texture in her compositions as well. It is with these techniques that she often communicates a very Christian message within her paintings; her desire seems to be to represent God’s handiwork in nature, honoring the “beauty and majesty of all creation” through realism.
Mrs. Bernard has some experience within the art world in terms of shows and exhibitions, and she listed several types in which she has entered her paintings; judged art shows, gallery fundraisers, and online auctions. She seems to prefer displaying her work within these types of exhibits rather than in privately owned art galleries; often times these galleries show multiple artists’ work, and she feels that much of the time artists do not receive as much individual promotion because of this. “I have much more interest in promoting my work than the gallery owner does,” she observes. “Their interest is making money no matter whose work they sell.” Additionally, in her experience she has seen galleries often charge outrageous commissions, about forty to fifty percent. Teresa hopes to eventually be able to paint and show her work full time in art shows.
I enjoyed my interview with Mrs. Bernard; it was interesting and informative. As a student of art, it was intriguing for me to be able to ask real questions and receive good practical insights into the techniques that a professional artist uses, and to learn about the business end of the art world. The most important thing that I took away from the interview, however, was that to have a career in art, it is important to love what you do. “Most people work in jobs they do not like, but that has never been the case for me,” she stated. “I’ve never not loved what I do for a living.”
About The Author
At the time of the interview Eric Pott was an art student attending Cerro Coso Community College in Ridgecrest CA. Eric reported to me that he received an A on this assignment.
Size: 16″ x 12″ Support: Stretched canvas Description: A depiction of a famous Oregon coast lighthouse. This painting sold to a private art collector in California.
Artist Comments: I find Oregon to be one of the most beautiful places in America. Having lived there for a number of years, “The Beaver State” has inspired numerous paintings of its scenery. Heceta Head Lighthouse is one of those paintings.
This oceanview oil painting is of the historic Heceta Head Lighthouse, built between 1892-1893. Perched high on a bluff approximately 150 feet above the sea, it stands watch over the Oregon coast 2 miles north of the famous Sea Lion Caves. Its beam can be seen for 21 nautical miles making it the strongest light on Oregon’s coastline. Heceta Head Lighthouse is a favorite place for tourists as it is one of the most-visited lighthouses in the United States. The lighthouse offers visitors easy access and an outstanding view of the Oregon coastline and Pacific Ocean.
Although I no longer live in the Pacific Northwest, Oregon continues to be a source of inspiration for me. Below are two more paintings of Oregon.
Artist Comments: This snow painting was inspired by a photograph of the giant Sequoia trees located in Sequoia National Park, California. I’ve seen and walked among these giant trees, they truly are magnificent!
Size: 9″ x 12″ Support: Canvas panel board Description: A rendition of a Clownfish swimming among sea anemone. This painting sold to a private art collector in Texas.
Artist Comments: Clownfish are a salt water fish. They are also called Anemonefish because they are often found living among the sea anemone. They are colorful little sea creatures that come in a variety of colors: yellow, orange, or a reddish or blackish color, and many have three white bars or patches of white depending on the species. Clown Anemonefish prefer the warmer waters of the Indian and Pacific oceans, as well as the Great Barrier Reef and the Red Sea. They are not found in the Atlantic Ocean, Caribbean, or Mediterranean Sea.
My painting makes this tiny fish look much larger than it really is, as they only grow to between 3 and 7 inches in length. I was visiting a pet shop with my kids one day where some of these where fish on display. I was simply amazed at how tiny these wondrous sea creatures actually are!
Some Interesting Facts About Clownfish
All Clownfish are born male. Later after maturity, some will become female.
They typically eat algae, zooplankton, worms and small crustaceans.
Clownfish live in a “symbiotic” relationship with their host anemones.
They are extremely aggressive fish and will defend their territory and the sea anemone that they live in.
The Clownfish will live up to 5 years in captivity and up to 10 years in the wild.
More information and photos of Clown Fish can be found here.
Size: 9″ x 12″ Support: Canvas panel board Description: An early painting by the artist depicting the Oregon coastline. This painting is owned by the artist’s daughter and is part of a private collection in Texas.
Artist Comments: This ocean wave painting is one of my early paintings just starting out as a professional artist. It shows the Oregon Coast looking south from the “Sea Lion Caves” towards Cox Rock. Cox Rock is one of thousands of islands which sits off the Oregon Coast. It is nearby to Sea Lion Point and Heceta Head.
The Sea Lion Caves is America’s largest sea cave and is located about midway on Oregon’s 400 miles of shoreline. It can reach from the Pacific Coast Scenic Byway U.S. Highway 101. For more information about the Sea Lion Caves visit their website.
There isn’t a lot of information about Cox Rock. What I have learned is it is an island off the Oregon Coast and which isn’t easily assessable if you want to explore it and it’s hard to find. Visitors to the island will probably want to use their GPS to guide them there. Coordinates are below.
Facts About Cox Rock, Oregon
Coordinates: 44.1109544°N, -124.1262313°W
Approx. Elevation: 75 feet (23 meters)
USGS Topo Map Quad: Mercer Lake
Feature Type: Island
Other Paintings of Oregon Scenery
I used to live in Oregon and have found it to be one of the most beautiful places on earth to live and paint. I’ve painted several paintings of Oregon scenery, some of which are listed below.
Artist Comments: One of the many things Oregon is known for is its covered bridges. Lane County seems to have an abundance of them. My friend Judy and I had a delightful time one autumn day discovering some of those bridges. The covered bridge depicted in this fall painting is Earnest Bridge over the Mohawk River.
You can find out more about the historic bridges of Lane county here.
Note: This painting sold to a private art collector in Texas.